From Greta Gerwig’s “Barbie” to Sofia Coppola’s “Priscilla,” narratives about cloistered women contending with a new political reality have dominated the cultural landscape. Why do these stories hit so hard?
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By Chimamanda Ngozi Adichie , Fiction , THE NEW YORKER February 10, 2025 Photograph by Nakeya Brown for The New Yorker I have always long...
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