Newly discovered archive material shows former Beatle was always producers’ choice to sing during credits for Live and Let Die
It had always seemed inconceivable that the James Bond producers wanted to replace Paul McCartney with another singer for Live and Let Die, particularly as his title song for the 1973 Roger Moore classic became a massive hit.
But the story told by Beatles record producer George Martin, and repeated by McCartney, was that the 007 producers thought McCartney’s recording with his band Wings was just a demo and they wanted a female voice. Continue reading...
http://dlvr.it/SfYHjq
Subscribe to:
Post Comments (Atom)
Chuka
By Chimamanda Ngozi Adichie , Fiction , THE NEW YORKER February 10, 2025 Photograph by Nakeya Brown for The New Yorker I have always long...

-
The making—and selling—of Coca-Cola. By E. J. Kahn, Jr. , THE NEW YORKER, Profiles February 6, 1959 Photograph by George Marks / Retrofile...
-
A tale of two hot dog vendors claims the top spot in this year’s voting, outpolling four other favorites. All five are presented here. Dec. ...
No comments:
Post a Comment